PC: Lily Lancaster
“Suave timbre, easy treble, enchanting piani, not to mention a young physique, Jack Swanson is nothing less than perfect in the role of the young lover.”
ResMusica, May 2019
European Management : Harrison Parrott
Stillwater, Minnesota native Jack Swanson is quickly becoming one of the most sought-after young tenors in the opera world. His distinctive high lyric voice is known for singing the acrobatic arias of Rossini and the legato melodies of Donizetti.
This season Mr. Swanson makes some much-anticipated debuts with the Lyric Opera of Chicago as Don Ramiro in La Cenerentola, with the Houston Grand Opera as Fenton in Falstaff and returns to the Norwegian Opera for Ferrando in Così Fan Tutte and Don Ramiro in La Cenerentola, as well as to the Rossini Opera Festival in Pesaro for his signature-role of Almaviva in Il Barbiere di Siviglia. Mr. Swanson can also be heard in recital in Montreal and with the Sag Harbor Song Festival. Future engagements include debuts with the Metropolitan Opera and the Staatsoper Hamburg and returns to the Rossini Opera Festival in Pesaro and the Houston Grand Opera, all in leading roles.
Last season Mr. Swanson premiered the title-role in Paola Prestini’s Edward Tulane with the Minnesota Opera, made debuts with the Austin Opera as Almaviva in Il Barbiere di Siviglia, the Utah Opera as Tonio in La Fille du Régiment (a role debut, as well), the Atlanta Opera as the title-role in Candide and Opera Maine for Don Ramiro in La Cenerentola. In concert the tenor joined the Utah Symphony for Carmina Burana, the Mercury Chamber Orchestra in Houston for the tenor solo in Handel’s Messiah and performed in recital with Matinee musicale in Duluth, MN.
Last season, Jack Swanson debuted with a number of European companies: first with the Teatro Regio in Torino as Almaviva in Il Barbiere di Siviglia, then with the Opéra National du Rhin in Strasbourg as Ferrando in Così Fan Tutte (a role he had just debuted for his return to the Oper Frankfurt). He also sang a concert of Mozart, Bel Canto and Romantic Italian songs in Beirut, Lebanon. In the summer he returned to the Santa Fe Opera in his signature-role of Almaviva in Il Barbiere di Siviglia and in recital before singing the title-role in Candide with the Lausitz Festival.
Prior to that Jack Swanson returned to the Norwegian Opera for Almaviva in a new production of Il Barbiere di Siviglia and to the Oper Köln for the same role before returning to the Garsington Opera for the title-role in Rossini’s Le Comte Ory. He then finished the season by making his Rossini Opera Festival debut as Florville in Il Signor Bruschino. In concert he was heard as the tenor soloist in Rossini’s Stabat Mater with the Accademia di Santa Cecilia in Rome and Myung Whun Chung. He also appeared in solo recitals in Frankfurt and in Pesaro.
Previously, Mr. Swanson debuted with new companies in new roles: first in Frankfurt as Rodrigo in a new production of Rossini’s Otello, then as Belmonte in Die Entführung aus dem Serail with Opera Omaha. In concert, the tenor was heard in Paris in Rossini’s Messa di Gloria and at New York’s Alice Tully Hall for a concert of pieces by sons of J.S. Bach.
The previous season Jack Swanson made several role and company debuts, first as Nemorino in L’Elisir d’Amore with the Norwegian Opera, later as Sam Kaplan in Street Scene with Oper Köln. He returned to the title-role in Candide for concert performances in Paris and Marseille and to his celebrated portrayal of Count Almaviva in Il Barbiere di Siviglia with Portland Opera. In concert, he performed music by Leonard Bernstein at the Moab Music Festival and by John Musto (his Bastianello) with Festival Napa Valley.
Prior to that Mr. Swanson made notable debuts with Glyndebourne Opera as Almaviva in Il Barbiere di Siviglia, the Los Angeles Opera in the title role of Candide, the Lyric Opera of Kansas City as Almaviva, and his mainstage debut with the Santa Fe Opera as Lindoro in L’italiana in Algeri. On the concert stage, Mr. Swanson was heard in Bernstein on Broadway concerts with the Orchestre National de Lille and in Rossini’s Stabat Mater with the Choral Arts Society of Washington.
In 2016-2017, Mr. Swanson was heard as Camille in The Merry Widow with Winter Opera St. Louis, Frederic in The Pirates of Penzance with Opera Memphis, Ramiro in La Cenerentola with Opera Delaware, and Albazar in Il Turco in Italia with Garsington Opera. In concert he sang Messiah with the Indianapolis Symphony Orchestra, Bruckner’s Te Deum, with the Houston Symphony Orchestra, and Mozart’s Requiem with the Oregon Symphony Orchestra. Other appearances included Washington Concert Opera’s 2017 gala, the Rising Stars of Opera concert series with the Richard Tucker Music Foundation, and on a recital program at the Caramoor Center for Music and the Arts.
In the 2015-2016 season, Mr. Swanson made his Des Moines Metro Opera debut singing the role of Fenton in Verdi’s Falstaff and performed the role of Ramiro in La Cenerentola with Opera Fort Collins. Mr. Swanson earned a Bachelor of Music in Vocal Performance from the University of Oklahoma, where he performed the roles of Don Ottavio in Don Giovanni and Nemorino in L’Elisir d’Amore. In May of 2016 he received his Masters of Music in Vocal Performance at Rice University. While at Rice, Mr. Swanson performed the roles of Almaviva in il Barbiere di Siviglia and Eurimaco in Monteverdi’s Il Ritorno d’Ulisse in Patria. Additional opera roles include Tonio in La Fille du Régiment and Count Belfiore in Mozart’s La Finta Giardiniera, and two years as an apprentice at the Santa Fe Opera. Mr. Swanson spent two summers as a young artist with The Seagle Music Colony, where he performed the roles of Tobias Ragg in Sweeney Todd and the title role in Britten’s comedic opera Albert Herring.
Also known for his concert work, Mr. Swanson’s credits include Handel’s Messiah, Dubois’ The Seven Last Words of Christ, Mozart’s Requiem and Carl Orff’s Carmina Burana. Other engagements include Holiday Favorites with the Arizona Opera and Birmingham Opera, and the Houston Grand Opera’s 60th anniversary gala where Mr. Swanson performed alongside HGO’s studio artists and world-renowned mezzo-soprano, Joyce DiDonato. Swanson made his Kennedy Center debut singing selections from Schumann’s Dichterliebe.
Mr. Swanson is the competition winner and recipient of several prestigious awards including first place in Florida Grand Opera’s Young Patroness Competition, The San Antonio Music Club Competition, The National Opera Association Competition and The Hal Leonard Art Song Competition. He twice received the Richard Tucker Memorial award from the Santa Fe Opera. He was a finalist in both Houston Grand Opera’s Eleanor McCollum competition and Fort Worth Opera’s McCammon Competition. Recently, Mr. Swanson was featured on National Public Radio’s Young Artist in Residence program, Performance Today.
For more information, please visit www.jackswansontenor.com.